"Wild guess, you can say he stay sedated." Madvillainy is anything but: The samples are smart and never played-out, and the production and rhymes reveal a determined sense of cooperation, as Doom spouts off his most brilliant lyrical change-ups and production-conscious playoffs. The leak seemed to be a huge kick in the ass, especially for Madlib, who in the past few years has been garnering the reputation of being brilliant and prolific, but distracted: His Blunted in the Bomb Shelter mix (rumored to have been concocted in less than a day), Blue Note-sampling Shades of Blue, and even the Jaylib collaboration are fresh, but sloppy and often unfocused. Undoubtedly, Madlib and Doom felt the pressure.
If "Peeyano Keys" and "Powerball #5" were just rough drafts, what could be expected of the completed project? As a true testament to both fidelity's fragility and the power of file-sharing, both discs leaked a few months later, giving birth to a logical buzz, but more importantly, heightening expectations to impossible heights these demos were pretty fucking tight. For the trip, he compiled two mix CDs of beats and unfinished tracks: one stored his collaborations with Detroit's Jay Dee the second held work with Brooklyn's Daniel Dumile (aka MF Doom).
(aka Madlib) went south to Brazil on business.
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